“You are a souvenir shop, where he goes to remember how much people miss him when he’s gone.”—Sierra DeMulder, “On Watching Someone You Love Love Someone Else,” from New Shoes on a Dead Horse (via safeslut)
“I’m always soft for you, that’s the problem. You could come knocking on my door five years from now and I would open my arms wider and say ‘come here, it’s been too long, it felt like home with you.’”—Azra.T “My Heart is Full of Open Windows.”
"I had no interests. I had no interest in anything. I had no idea how I was going to escape. At least the others had some taste for life. They seemed to understand something that I didn’t understand. Maybe I was lacking. It was possible. I often felt inferior. I just wanted to get away from them. But there was no place to go. Suicide? Jesus Christ, just more work. I felt like sleeping for five years but they wouldn’t let me.”
But it was unnecessary. There would be other nights. And how can you say I love you to someone you love? I rolled on my side and fell asleep next to her. Here is the point of everything I’ve been trying to tell you, Oskar. It’s always necessary.
“And every day, the world will drag you by the hand, yelling, “This is important! And this is important! And this is important! You need to worry about this! And this! And this!” And each day, it’s up to you to yank your hand back, put it on your heart and say, “No. This is what’s important.”—Iain S. Thomas, I Wrote This for You (via seulray)
“I do all the things you used to hate. I dye my hair colors that make the church ladies stare. I go to bed without dinner and subside entirely on air. I make tea and pour cream in after. I give up reading. I give up The Beatles. I never eat another plate of scrambled eggs. I shape myself into someone you would dislike. My speech sharpens. My teeth turn to fangs. I let go of the softness that drew you to me. My fingernails itch to become claws and I don’t fight it. This is what it takes to survive. I let people into my bed that I would have walked right past with you. He is sad-eyed and needs my flimsy paper wrists to support him. I pour every late night with you into him, until he says, ‘I love you, I love you’ and I say, ‘Shh, you’ll ruin the fun.’ I do what it takes to forget you, and at the end, have more bruises than the ones I started with, but I can finally look at a sunset and not feel anything at all.”—I Practice Death To Forget You | Lora Mathis (via soggypoetry)